Magnum Learn Open Day with Matt Black and Susan Meiselas

Magnum Photos is proud to offer their Magnum Learn Open Day for anyone who may be considering any of our educational programme, with a special focus on the upcoming Long Term Mentorship programme with Matt Black and Susan Meiselas.

 

Magnum Learn Open Day with Matt Black and Susan Meiselas

© Magnum

This was a free event designed for anyone considering starting one of Magnum’s educational programmes. It was delivered as a Zoom webinar between 18:00 – 20:00 PM UK Time Thursday, August 12th 2021.

The mentorship will take place for seven months between October 2021 to April 2022. The first workshop with Matt Black, Susan Meiselas and special guests will be held on these dates:  Oct 6, 13, 20, 27, Nov 1 from 11:30 EDT - 5:45 EDT on Zoom.

Susan Meiselas received her B.A. from Sarah Lawrence College and her M.A. in visual education from Harvard University. Her first major photographic essay focused on the lives of women doing striptease at New England country fairs. She photographed the carnivals during three consecutive summers while teaching photography in the New York public schools. Carnival Strippers was published by Farrar, Straus & Giroux in 1976. A selection was installed at the Whitney Museum of Art in June 2000. The original book was revised and reprinted by the Whitney Museum and Steidl Verlag in 2003. Meiselas joined Magnum Photos in 1976 and has worked as a freelance photographer since then. She is best known for her coverage of the insurrection in Nicaragua and her documentation of human rights issues in Latin America, which were published widely throughout the world. In 1981, Pantheon published her second monograph, Nicaragua: June 1978 – July 1979 which was reprinted by Aperture, fall 2008.

Meiselas served as an editor and contributor to the book El Salvador: The Work of Thirty Photographers (Writers & Readers, 1983) and edited Chile from within (W.W. Norton, 1991) featuring work by photographers living under the Pinochet regime. She has co-directed two films: Living at Risk: The Story of a Nicaraguan Family (1986) and Pictures from a Revolution (1991) with Richard P. Rogers and Alfred Guzzetti. In 1997, she completed a six-year project curating a 100-year photographic history of Kurdistan, and integrating her own work into the book entitled Kurdistan: In the Shadow of History (Random House, 1997; reprinted by the University of Chicago Press, 2008). Meiselas then created the website, www.akaKURDISTAN.com, an online archive of collective memory; as well as an exhibition that launched at the Menil Collection in Houston, and traveled for eight years to several venues in the United States and Europe Her 2001 monograph, Pandora’s Box (Magnum Editions/Trebruk) which explores a New York S & M club, has been exhibited both at home and abroad. In 2003, Encounters with the Dani was featured as an installation in the International Center of Photography’s Triennial Strangers and co-published by ICP/Steidl Verlag. The book explores a 60-year history of outsiders’ discovery and interactions with the Dani, an indigenous people of the highlands of Papua in Indonesia. Meiselas has had one-woman exhibitions in Paris, Madrid, Amsterdam, London, Los Angeles, Chicago and New York. Her work is included in American and international collections. Honorary awards of recognition include: the Robert Capa Gold Medal for “outstanding courage and reporting” by the Overseas Press Club for her work in Nicaragua (1979); the Leica Award for Excellence (1982); the Engelhard Award from the Institute of Contemporary Art (1985); the Maria Moors Cabot Prize from Columbia University for her coverage of Latin America (1994); the Hasselblad Foundation Photography prize (1994) and most recently, the Cornell Capa Infinity Award (2005). In 1992, she was named a MacArthur Fellow.

 

Matt Black is from California’s Central Valley, a rural, agricultural area in the heart of the state. He started photography working at his hometown newspaper.
 
He was nominated to Magnum Photos in 2015.  Since 2015, he has travelled over 100,000 miles across 46 states for his project American Geography.  Other works include The Dry Land, about the impact of drought on California’s agricultural communities, and The Monster in the Mountains, about the disappearance of 43 students in the southern Mexican state of Guerrero. Both these projects, accompanied by short films, were published by The New Yorker.
 
His work has appeared regularly in TIME Magazine, The New Yorker, The California Sunday Magazine, and other publications.  He has been honored three times by the Robert F. Kennedy Memorial Prize, including their top honor for journalism. In 2015, he received the W. Eugene Smith Memorial Award for Humanistic Photography, and was named a senior fellow at the Emerson Collective. He lives in Exeter, a small town in the Central Valley.


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