We are not mingi (79) by Donell Gumiran

Italian photographer Domenico Masiello has been creating another reality from the reality with his digitally edited B&W photos. He usually takes out architecture landmarks and makes them extremely three-dimensional. By doing so, he gives them

77 years ago, Jewish musicians from the surrounding concentration camps played their „Liberation Concert“ as a „celebration of life“ at the Bavarian Benedictine Archabbey of St. Ottilien. To keep the memory and goals of the

GR gallery is pleased to announce the first solo exhibition of Tania Marmolejo Andersson with the gallery after a year of collaborations. Titled “Telenovela Life”, this show will present a new series with an specific focus on

ClampArt is pleased to announce “Behind-the-Scenes”—Kenneth Gruenholtz’s first solo show with the gallery. The exhibition coincides with the release of the artist’s monograph titled Uncensored: My Year Behind the Scenes with Michael Lucas and his

Photographer André Kertész (American, born Hungary, 1894–1985) arrived in Paris in the fall of 1925 with little more than a camera and some savings. By the end of 1928, he was contributing regularly to magazines and

Hans Feurer presents women as fighters who are much stronger than men. To put these »dream projections« on the scene, he only uses natural light—even for night shoots. This shapes his own effortlessly personal note