vittorio scatolini The wait
The wait by Vittorio Scatolini: Presented by the online magazine for photography and art www.tagree.de
Tagree
Online magazine for Photography and Art – A window on the world of visual arts, where artworks from selected artists around the globe are shown and shared as well as News and Infos from the world of Photography and Art.
You may also like
Mexican photographic artist Graciela Iturbide
The World Photography Organisation is delighted to announce the acclaimed Mexican photographic artist Graciela Iturbide as the Outstanding Contribution to Photography recipient of the Sony World Photography Awards 2021. Widely recognised as Latin America’s greatest
Elephant Festival by Kip Harris
According to Professor M. Madhavankutty in his internet essay on Elephant Festivals in Kerala, the tradition of having a majestic pageant of parading elephants as part of religious events is perhaps 250 years old. “Kerala
Dayanita Singh: Dancing with my Camera
The Gropius Bau is pleased to present Dancing with my Camera, the first major survey of the internationally renowned artist Dayanita Singh. This exhibition showcases the work of Dayanita Singh, an artist redefining what photography can
Oskar Barnack (1879–1936), the inventor of the Leica
From 1914, Oskar Barnack (1879–1936), the inventor of the Leica, used the prototype camera he developed, today known as the Ur-Leica, for photography. The LOBA award (Leica Oskar Barnack Award) named after this photographic pioneer was
Phoenixology: An exhibition of photographs by Lucien Clergue on the set of Jean Cocteau’s final film, Testament of Orpheus (1959)
Westwood Gallery NYC is pleased to present Phoenixology, a solo exhibition of photographs by Lucien Clergue (1934-2014). On view are thirty 1959 photographs (lifetime prints, signed by Clergue) which reveal the historic photographer’s view of
Dutch Photo Artist Erwin Olaf
Dutch photo artist Erwin Olaf creates a world for his photographs and films that is staged down to the smallest detail. Although it looks confusingly like ours, it appears enigmatic in its artificiality. With their