South African photographer Gavin Goodman had a vision to create a series influenced by traditional African headwear done with a modern and simplistic touch. Commissioning a local origami artist as a unique way to bring this vision to life, they transformed delicate paper into beautiful African-inspired sculptural objects.
PLEATING PAPER INTO
SCULPTURAL HEADWEAR
Photo © Gavin Goodman
LUHLAZA
Gavin’s series titled LUHLAZA translates to the word “green” in Xhosa, the main African language spoken in Cape Town. With a simplistic approach in mind, the choice for a minimal colour palette was twofold – “Firstly, from an aesthetic point of view, I've always loved how beautifully this color compliments darker skin tones. And green has a calming, tranquil effect with strong associations towards nature which felt like an appropriate connection towards the imagery of African tribes I was originally inspired by,” says Gavin.
Photo © Gavin Goodman
ORIGAMI PROPS
After stumbling upon unique origami art online, Gavin was inspired to execute his series with this delicate, malleable paper. “With a few designs drawn out and a detailed moodboard provided, we commissioned a local origami artist to create these gorgeous props for our shoot. Each prop was made by pleating a single piece of paper,” he explains.
Photo © Gavin Goodman
SOFT LIGHTING
Keeping his lighting soft but still directional, Gavin created a key light overhead by shaping and bouncing 2 flash heads off of a large white bounce that travelled through another large diffusion frame before hitting the subject. On the ground, there were two backlights also travelling through full diffusion frames. Creating a large, soft light source allowed his subject room to move around without the need to move lights accordingly.
“ The X1D II was an absolute pleasure to use on this shoot. It's officially my favourite camera system to date! Everything from the simple touch screen focus features to the quiet, unassuming size and manner it captures high resolution imagery really appeals to me and my process. I'm still in awe everytime I see one of these images captured on the X1D II in print form. I always strive to create as close to the final image as possible in camera. The color accuracy from my NEC calibrated monitor to the final prints are spot on, and honestly these images required very little fine tuning. The detail captured is so good it forces me to be quite precise on set as I know everything will be seen in glorious detail!“
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