The “Corona series” starts with pictures made in a documentary style: showing somebody’s daily life, helplessly left alone with oneself. The series then progressively evolves, treating the psychological aspects and impact of this isolation — but always with a touch of humor and self-mockery. During such difficult times, Prestrot wanted to make people laugh — and most of them did, while following every day the online publication of the new “episode” of, as some liked to call it, “The Jordanes”. After the first two weeks, the project took on a fantasy dimension, with murderers, sorcerers, imaginary women… Stories were suggested, distinctive characters appeared…. It was a lot of work for him but also a lot of fun. And on a personal level, it helped him think less about all the uncertainties and fears there were, and still are, around the pandemic.